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Tuesday 28 March 2023

Native Speaker (An immigrant fiction by Chang-Rae Lee)

 

Native Speaker (An immigrant fiction by Chang-Rae Lee)

Brief Biography of Chang-rae Lee

Chang-Rae Lee was born in Seoul, South Korea, in 1965, but his family emigrated to the United States when he was three years old. He grew up in Westchester County in New York, where his father opened a psychiatric practice. When he was a teenager, he attended Phillips Exeter Academy in Exeter, New Hampshire, obtaining a prestigious education that eventually led him to Yale University to study English literature. He graduated in 1987 and went on to work very briefly as an analyst on Wall Street before attending graduate school at the University of Oregon. His first novel, Native Speaker, served as the thesis for his Master of Fine Arts degree and was published in 1995, ultimately winning him the PEN/Hemingway Award for best first novel. He has since gone on to win many other literary awards, and his 2010 novel, The Surrendered, was a finalist for the Pulitzer Prize in fiction. He has also taught creative writing at widely respected institutions like Princeton University and Stanford University.

Historical Context of Native Speaker

Native Speaker takes place in the 1990s, a period during which the United States’ immigrant population was on a steady incline. The number of undocumented immigrants peaked in the year 2007 and then tapered down again, contrary to the common assumption that immigration to the United States has seen a consistent increase in the last 30 years. The 1990s therefore saw a somewhat unique influx of migration and, consequently, a mixed response about whether or not the nation should increase or decrease the number of immigrants coming the country. Polls have shown that the majority of Americans in the early 1990s were more hesitant to welcome immigrants than they were in the early 2000s, perhaps because many people stopped fearing that an increase in the immigrant population would make work harder to find. However, the general attitude that the immigrants in Native Speaker face is decidedly unwelcoming, as evidenced by the fact that many of John Kwang’s undocumented constituents get arrested and face deportation at the end of the novel. In a way, then, Native Speaker predicts the controversy surrounding immigration and deportation that eventually came under the political spotlight of the 2010s. 

 

 

Summary

Henry Park is a Korean American man who lives in New York City and works as a spy of sorts. His job is to go undercover in a variety of contexts and gather information about a specified target. His boss is a man named Dennis Hoagland, whose firm gets hired by outside clients to gather information about “people working against their vested interests.” In general, the people Henry spies on are usually wealthy immigrants who secretly support insurrections or revolutions in their home countries.

Most recently, Henry was assigned to gather information on a Filipino therapist named Emile Luzan. It’s normally easy for Henry to stick to his invented backstory, but he had a hard time doing this because life was in shambles: his wife, Lelia, had recently gone to Italy alone. Her departure was tied to the fact that their son, Mitt, died at the age of seven.

Lelia felt alone with her grief because Henry never talked about it, but Henry just isn’t a very expressive person. This is thanks to his Korean upbringing. His family moved to New York City from Korea when he was young, and his father worked hard to open grocery stores in the city. He did this with money from a Korean “money club.” After Henry’s mother died when he was 11, his father moved Henry to a wealthy neighborhood north of the city and didn’t dwell on his wife’s death. Henry eventually became accustomed to his father’s silent, stoic ways.

These days, Lelia has returned from Italy but hasn’t moved back in with Henry. She’s still angry about the way he mourned Mitt’s death, which happened when they were staying with Henry’s father during the summer. Mitt eventually wound up becoming close friends with the white children in the neighborhood, but during a rowdy pig pile at a birthday party, Mitt was crushed beneath the weight of the other boys and died.

Back in the novel’s present, Henry has been avoiding his company’s office because he doesn’t want to talk to Hoagland about what happened during his Luzan assignment: Henry developed a real therapeutic relationship with Luzan and planned to warn Luzan to be careful. But two of his coworkers appeared and took Luzan away before Henry could say anything. One of those coworkers was Jack, an older Greek man who’s a mentor to Henry. Now, Henry has been put on a new assignment, and Hoagland has instructed Jack to oversee it.

Henry is supposed to gather information about a Korean American city councilman named John Kwang. The fact that both Henry and Kwang are Korean Americans living in New York City is supposed to make the job easy for Henry, whose task is simply to work at Kwang’s new political headquarters in Queens as an intern. He’s supposed to write periodic reports about Kwang’s activities and send them to Hoagland. But he’s slow to get started, since he’s preoccupied with what’s happening in his relationship with Lelia. Henry turns to Jack for advice on how to fix his marriage, knowing Jack had a happy marriage before his wife died. In turn, Jack not only acts as a professional mentor, but also as a friend and confidante—and yet, it becomes increasingly clear that his advice to Henry about how to handle the Kwang case comes directly from Hoagland.

In the first weeks of his internship, Henry notices how much the other volunteers respect Kwang. They see him as a unifier who’s representative of New York’s immigrant communities. One volunteer, a young man named Eduardo, stands out as being especially devoted to Kwang. Eduardo is a 23-year-old—though he looks older—college student who has become close to Kwang. As for Kwang himself, he has a magnetic presence and hasn’t yet confirmed or denied whether or not he’ll be running for mayor. The current mayor, De Roos, is clearly nervous that Kwang will make a run for the position, so he has been criticizing him in public.

As Henry works his way into the Kwang organization, he manages to reestablish contact with Lelia. He does this by asking if he can borrow tape recordings she has of Mitt, saying he wants to hear their son’s voice. This leads to a late-night conversation at their mutual friend’s apartment—a conversation in which Lelia makes it clear that she left Henry because she’d had enough of his silence and secrecy, she hates that he never talks about Mitt, and she also dislikes his commitment to his job. After this, Lelia and Henry begin to see each other more regularly.

Slowly but surely, Henry endears himself to Kwang, who takes an interest in him because he’s Korean American. Henry likes Kwang because he reminds him of a younger version of his father. The closer Henry works with the councilman, the more Kwang takes him under his wing, which only makes Henry feel worse about sending information about him back to Hoagland. Jack pays him several visits and encourages Henry to do his job, indicating that Hoagland is getting impatient.

Around this time, Lelia moves back in with Henry. They’ve been on good terms ever since a trip to clean out his father’s house (his father died not long after Mitt). On this trip, Henry finally opens up to Lelia about his feelings. He even tells her about his difficulties at work, explaining that he’s under pressure to dig up dirt on Kwang. He also implies that Hoagland might want him to make something up if he can’t actually find anything scandalous about Kwang. But Henry’s hesitant to do so because he knows Kwang might get hurt; after all, he recently learned that Luzan was killed in an alleged “accident” while traveling.

One night, Lelia and Henry are watching the news and discover that Kwang’s headquarters have been bombed. Two people died: a custodian and Eduardo. Henry immediately contacts Hoagland and Jack, but they claim to have had nothing to do with the bombing. After this, Kwang’s political operation moves to his house in Queens, where Henry starts working late and taking on many of Eduardo’s duties. Everyone on the team is tense: Kwang still hasn’t made a statement about the bombing and refuses to be seen in public. He’s unraveling. Late one night, he comes downstairs and drinks with Henry. There have been rumors in the news that Eduardo was secretly renting an expensive apartment in Manhattan. People think Kwang was bankrolling him, but they don’t know why. When Henry tries to broach the subject, Kwang gets angry, and their conversation devolves into an argument in which Kwang shouts at Henry. Henry backs down, and then Kwang declares that they’re going out together.

It's almost four in the morning when Kwang tells Henry to drive him into the city. They stop to pick up Sherrie, Kwang’s PR coordinator. They then go to a Korean after-hours club where the waitresses shower the (mostly male) clientele with flirtation and physical affection. Henry can tell that Kwang and Sherrie have been here together before; they’re clearly having an affair. Once inside a private room, Kwang tries to pair Henry off with the waitress. Noticing that Henry is very uncomfortable, Sherrie decides to leave—but the door is locked. Kwang jumps up and physically restrains her, so Henry defends her by tackling Kwang. Sherrie slips out of the room, and then Kwang turns his rage on Henry. He’s quite drunk, and he claims that everyone is against him. Even Eduardo was against him, he says, explaining that Eduardo was stealing information. When Kwang found out, he says, he hired a Korean gang to take care of the matter, though he claims he didn’t know they’d bomb the headquarters. Henry is speechless and leaves as Kwang sits back for a lap-dance from the waitress.

Around this time, Jack meets Henry in a diner and urges him to give Hoagland information. One of the duties Henry took over from Eduardo is organizing Kwang’s “money club,” which Kwang has styled after the traditional Korean ggeh to empower his community of immigrants. Henry is in charge of keeping track of all the people who contribute to the ggeh, and now Jack tells him that Hoagland wants a copy of the list of names. After some hesitation, Jack delivers the list.

Kwang is arrested the following day. Kwang returned to the club the previous night, got drunk, and crashed his car while driving with one of the waitresses, a 16-year-old Korean girl. His entire political team is thrown into chaos, but not just because of the scandal—there’s also a report that the Immigration and Naturalization Service has gotten its hands on a list of people participating in Kwang’s “money club.” Most of the people in the club are undocumented immigrants, and by the time Henry is watching the news broadcast, the director of the Immigration and Naturalization Service reports that they have all been arrested and will be deported. Henry is devastated. He feels as if he has betrayed his own people, and he refuses to ever work for Hoagland again. He now knows Eduardo was another of Hoagland’s operatives.

Henry quits his job and spends his days walking through Queens. He sometimes passes by Kwang’s old house. Kwang himself has moved back to Korea with his family, but Henry still thinks about him. Otherwise, he spends time with Lelia and helps her in her job as an ESL teacher, going into classrooms and helping children work on their pronunciation—an activity that at least makes him feel like he’s helping the immigrant community instead of hurting it.

Character Analysis

Henry Park

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Lelia

 

Henry is a Korean American man living in New York City. The novel’s narrator, he works as a spy for Glimmer & Company, a company that gathers information about people for anonymous clients. Most of the people Henry spies on are wealthy immigrants with ties to revolutionary groups in their home countries, but he generally tries not to think about how the information he gathers will be used. Instead, he focuses on inhabiting his invented backstory, which is normally easy for him because he’s used to fitting into his surroundings; he feels particularly well-suited to this role because of his multicultural identity, which has taught him how to manage multiple modes of self-presentation. However, his job also requires a lot of secrecy, which puts a strain on his relationship with his wife, Lelia. To add to this strain, Henry and Lelia already have a fair amount of tension in their relationship because of their different ways of responding to their son’s death. Their son, Mitt, died at the age of seven, and while Lelia wants to talk about her grief, Henry remains mostly silent about his feelings and simply wants to move on. Feeling alone with her sorrow, Lelia leaves him to be on her own for a while. Around the time she comes back, Henry starts a new assignment as an intern at the political headquarters of a city councilman named John Kwang. Like Henry, Kwang is Korean American, and Henry can’t help but identify with him—Kwang even reminds him of his father. Although Henry has spent the majority of his life cultivating the American aspects of his cultural identity, he now gets in touch with his Korean cultural values, admiring Kwang’s ability to put those values to use as a prominent public figure. As he works with Kwang, he repairs his relationship with Lelia by opening up about his feelings. In turn, he gradually transforms throughout the book from a secretive, guarded spy to someone who’s more open and who wants to empower his fellow immigrants instead of conspiring against them.

Lelia

Lelia is Henry’s wife. Originally from Massachusetts, she works as a speech specialist who helps people learn English and improve their pronunciation. When she first meets Henry at a party in Texas, she tells him that she can tell he’s not a “native speaker”—not because he has an accent, but because he looks very concentrated when he’s speaking, as if he’s carefully listening to himself to make sure he doesn’t make any mistakes. They end up getting married and having a little boy named Mitt, who dies in a freak accident at the age of seven. The tragedy puts an enormous strain on Lelia’s relationship with Henry, mostly because his stoic way of dealing with his grief makes her feel like she has to handle her sorrow all by herself. She doesn’t want to just move on from their son’s death; in fact, she doesn’t even feel capable of doing such a thing, since merely listening to tape recordings of his voice makes it impossible for her to even move for days at a time. Henry, on the other hand, silently wrestles with his sadness while telling everyone that both he and Lelia are doing fine. His unwillingness to talk about his emotions aligns with the fact that he has to keep so many secrets about his job. Lelia knows that he is some kind of spy, but he will never tell her any details. In short, she feels cut out from his life, so she leaves him and travels to Italy for several months, where she has an affair before returning to New York City and living with one of her and Henry’s friends. Gradually, however, Henry starts to open up to her more and more, and this makes it possible for them to repair their relationship. By the end of the novel, Lelia feels less alone with her grief, even if the tragedy of Mitt’s death still weighs heavily on her.

Henry’s Father  

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John Kwang

 

Henry’s father was a Korean immigrant who came to the United States with his wife and son (Henry), settling in New York City and opening a grocery store. A disciplined man of few words, he was a hard worker who earned a master’s degree from one of the most respected schools in Korea. When he came to the United States, though, he essentially started over, working long hours to become the successful owner of multiple grocery stores throughout the city. He never talked about work at home, and his wife never asked him about his day. When Henry started asking about his father’s job one evening, his mother pulled him aside and told him not to talk about the grocery stores, explaining that such talk was beneath his father—after all, he had graduated from a highly respected institution in Korea and was only working as a grocer to give Henry a better life; instead of making him talk about the stores, then, Henry should simply keep his father company during his few hours of relaxation. Later, Henry’s mother died when he was only 11, but his father didn’t spend much time mourning their loss—instead, he announced that he and Henry would be moving to a wealthy suburban neighborhood north of the city. Henry hated the idea of this, but his father didn’t care: he thought it was what was best for Henry. Plus, moving into a bigger house in the suburbs was his image of what it meant to succeed in the United States. Not long after they moved, his father hired a young Korean woman—whom he and Henry called Ahjuhma—to care for the house, and though he never showed any feelings for her when Henry was still a child, Henry realized when he was in college that his father and Ahjuhma had become companions and romantic partners. He died shortly after Mitt, but Henry thinks about him often, especially because John Kwang reminds him of the old man.

John KwangCharacter Analysis

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Eduardo

 

John Kwang is a Korean American city councilman in New York City. Henry is assigned to infiltrate his political organization and gather whatever information he can about Kwang, but he ends up identifying with the councilman and developing an admiration for him. Much like Henry’s father, Kwang is a self-made immigrant from Korea who has managed to become successful in the United States. He’s charismatic and is able to make people feel seen and understood, which is why he’s able to unite a diverse group of constituents throughout his home borough of Queens. But he also faces political obstacles. The current mayor of New York City, Mayor De Roos, is threatened by him and criticizes him often, since it’s rumored that Kwang might run for mayor. The more Henry gets to know Kwang, the more he connects with him about their shared Korean cultural values. He sees Kwang as an elder worthy of respect. but Kwang frequently transcends this dynamic by inviting Henry to treat him like a peer, However, it’s always clear that Kwang holds the power in the relationship—on the surface, that is. In reality, Henry’s the one who holds the power because he’s a spy, which is apparently a dangerous position to be in, considering that Kwang has Eduardo killed after discovering that he’s a spy. After the bombing of his headquarters, Kwang begins to spiral and lose hold of his power. He eventually gets arrested for drunk driving and crashing his car on the way home from a Korean after-hours club with an underaged waitress (who is possibly a sex worker). Around this time, Henry steals a list of participants in a “money club” (or ggeh) that Kwang has organized, and that list is eventually used against Kwang and his supporters, as the government rounds up the many undocumented immigrants who participate in the “money club.” Even though Kwang was just trying to empower the immigrant community, then, American society villainizes him, and Henry deeply regrets the role he has played in the councilman’s undoing.

Eduardo

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Jack

 

Eduardo is a young Latino man who works for John Kwang. When Henry first meets him, he’s told that Eduardo is a college student studying political science and helping Kwang’s organization when he’s not studying. He strikes Henry as a very devoted volunteer, though he also looks older than his purported age of 23. Kwang, for his part, is very fond of Eduardo and lets him handle the “money club” (or ggeh) that he has established to help financially empower his constituents. After discovering that Eduardo is actually a spy, though, Kwang hires a Korean gang to handle the situation, and the gang bombs the Kwang headquarters while Eduardo is working late one night. Eduardo dies in the blast, attracting controversy and media attention to Kwang’s entire political operation. At first, Henry doesn’t know why Eduardo was killed and fears that his own company, Glimmer & Company, had something to do with it. But Kwang eventually tells him the truth while drinking one night, and Henry realizes that Eduardo must have been working for Glimmer & Company, too—perhaps to make sure Henry didn’t mess up the Kwang assignment.

Jack 

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Dennis Hoagland

 

Jack is a Greek immigrant who works alongside Henry at Glimmer & Company. He serves as something of a mentor for Henry, since he’s been a spy for a very long time and is thus very knowledgeable about the trade. In fact, he no longer works undercover like the rest of his colleagues, having informed Dennis Hoagland that he didn’t want to do so anymore. However, because Jack is such a valuable asset, Hoagland has forced him to stay on as a consultant of sorts, asking him to oversee the other operatives, all the while dangling the promise of full retirement as a way of keeping Jack invested in the job. The reason Hoagland sees Jack as so valuable is because of Jack’s past as an operative for the CIA in Greece, where he was often in dangerous situations, meaning that he’s quite experienced—and that he has seen and done some very violent things. Nonetheless, Henry likes Jack and frequently asks him for relationship advice, since Jack had a long, happy marriage until his wife died of cancer. Despite their close relationship, though, it becomes increasingly clear over the course of the novel that Jack will remain loyal to Hoagland by pressuring Henry to do various things he doesn’t want to do. Jack doesn’t like making things difficult for Henry in this way, but he’ll do seemingly anything to make sure he’ll be able to retire soon. He thus pressures Henry into stealing the list of people who contribute to John Kwang’s “money club,” which is the vital information that Glimmer & Company has apparently been hired to obtain.

Dennis Hoagland

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Emile Luzan

 

Dennis Hoagland is Henry’s boss at Glimmer & Company. He’s a control freak who claims to care about his employees’ well-being but, in reality, only cares about them insofar as they’re able to successfully complete their assignments. For instance, he frequently calls to check up on Henry in the period after Lelia leaves him to be on her own, but Henry can tell that Hoagland doesn’t legitimately care about Henry’s emotional state—he just wants to make sure he’ll be able to complete his next assignment. To that end, Hoagland frequently sends Jack to check on Henry’s progress as he works to gather information about John Kwang. When Henry has trouble transmitting sensitive information about Kwang, Hoagland senses his hesitation and sends Jack to put some pressure on him. On the whole, both Henry and Lelia see Hoagland as an unpredictable, somewhat dangerous person, which is why Henry doesn’t simply quit his job in the middle of the Kwang assignment: there is, after all, no saying what Hoagland might do to him if he were to do this.

Emile Luzan  

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Ahjuhma/The Woman

 

Emile Luzan is a Filipino immigrant living in New York City and practicing as a therapist. Because he supports a controversial cause in the Philippines, Glimmer & Company has been hired to scrounge up information about him. Henry is assigned to learn more about Luzan by posing as one of his clients, and though Henry is normally good at sticking to his invented backstory, he finds himself unable to stop talking about his real life in his therapy sessions with Luzan. There’s a kindness and openness to Luzan that makes Henry want to be honest with him—there’s also the fact that Henry is still mourning the death of his son. Plus, he goes to Luzan while Lelia is abroad, so he’s lonely has a lot on his mind. Eventually, it becomes clear that Henry has lost sight of his assignment. He goes to Luzan for a final session and plans to tell him to be careful, wanting to say that Luzan should be cautious about traveling and when he’s around strangers. But when Henry steps out of Luzan’s office for a drink of water right before telling him this, he finds Jack and another colleague, who physically force him to leave the building. Shortly thereafter, Luzan dies in an alleged accident while traveling, and Henry gathers that he was killed for political reasons—perhaps by the very same people who hired Glimmer & Company to spy on him.

Ahjuhma/The Woman 

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Sherrie Chin-Watt

 

Ahjuhma is a young Korean woman who moves to the United States when Henry’s father hires her to work as a housekeeper in the wake of Henry’s mother’s death. Henry doesn’t know much about her, since she seems to spend the vast majority of her time in the kitchen. When he comes home from college, though, he realizes that Ahjuhma and his father have developed a close relationship and sometimes sleep together, though their bond has more to do with companionship than romance. Later, Henry visits his father’s home every summer with Lelia and Mitt, and Lelia takes an interest in Ahjuhma—whose real name isn’t actually “Ahjuhma.” One night, Lelia asks Henry what her name is, and she’s appalled to learn that he doesn’t know. She sees this as a sign that Henry doesn’t think his father’s housekeeper is worthy of respect, but the real reason he doesn’t know her name is that there would never be a context in the Korean language for him to call her anything but “Ahjuhma,” which means “aunt” or “ma’am” and is what Korean people call women who aren’t related to them. Ahjuhma’s presence in the novel serves as a reminder of the differing cultural values between Korean and American society.

Sherrie Chin-Watt  

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Janice

 

Sherrie Chin-Watt is a Chinese American woman who runs PR for John Kwang’s political organization. She’s married to a successful businessman, but he’s seemingly always away on business, and she appears to have devoted herself to Kwang’s campaign. As Henry gets closer to Kwang, he realizes that the councilman is having an extramarital affair with Sherrie, though Sherrie later distances herself from him when he suddenly becomes engulfed in scandal.

Janice   

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Mayor De Roos

 

Janice is a young white woman who works as John Kwang’s schedule manager. She also handles responsibilities like scouting out the best place for Kwang to make public appearances. She works closely with Eduardo and Henry, training them to make sure that the cameras can always see Kwang when he appears in public. Out of all Kwang’s supporters, volunteers, and employees, Janice is perhaps the most dedicated to Kwang’s burgeoning political movement, as evidenced by the fact that only she and Henry stick around once he’s surrounded by scandal and negative media attention.

Mayor De Roos 

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Pete

 

Mayor De Roos is the mayor of New York City and one of John Kwang’s political opponents. De Roos is actually a Democrat just like Kwang, and he even helped the councilman at the beginning of his (Kwang’s) career. Now, though, he’s worried that Kwang will run for mayor, so he subtly criticizes him in the media. His main tactic is to imply that Kwang uses illegitimate tactics to organize the immigrant community, accusing him of paying people to support him.

Pete 

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Mitt

 

Pete is one of Henry’s coworkers at Glimmer & Company. At the end of his time with John Kwang, Henry gives Pete and their other coworker, Grace, a list of everyone who has contributed to Kwang’s “money club.” The list ends up being used to identify and deport undocumented immigrants.

Mitt 

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Henry’s Mother

 

Mitt was Henry and Lelia’s son, who died in a tragic accident at a birthday party when he was seven years old. His death puts an enormous strain on Henry and Lelia’s relationship, and it isn’t until Henry finally opens up about his own grief that they’re able to mend the tension between them.

Henry’s Mother  

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Symbols

 

Henry’s mother was a Korean woman who immigrated to the United States with Henry’s father. She died when Henry was just 11 years old, and he didn’t have time to mourn her death: his father quickly moved on with life and made it clear that he and his son shouldn’t dwell in sorrow.

Symbol analysis

The Ggeh (The “Money Club”)  

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Theme Wheel

 

In Native Speaker, the concept of a ggeh, or a Korean “money club,” symbolizes the power that can arise when community members come together and support each other. Henry’s father, for instance, is able to open his first grocery store because he belongs to a small ggeh, to which he and other Korean men contribute money on a rolling basis with the knowledge that—at some point—they will receive a large amount for themselves. This system enables Henry’s father and his fellow Korean immigrants to fund their business ventures and become successful in the United States—something they might not have been able to do without the communal approach to funding.

As somebody who understands how powerful and productive it can be to unite a community in this way, John Kwang establishes a large-scale ggeh for any of his constituents who want to participate, thus bringing the Korean tradition to other racial and ethnic groups living in Queens. At first, it works quite well, giving his constituents something resembling financial stability in times of need. However, the ggeh soon attracts suspicion from the government, which disapproves of the concept because it doesn’t report earnings to the tax authorities. Through Glimmer & Company (and, in turn, through Henry), the Immigration and Naturalization Service ends up obtaining the list of people who belong to the ggeh, and it uses this list as a way of identifying and deporting undocumented immigrants. The ggeh therefore comes to represent not just the power of unity and communal support, but also the unfortunate fact that Americans in positions of power are often deeply suspicious of foreign practices and traditions that empower new Americans.

 

 

The Escape or A Leap for Freedom by William Wells Brown

 

The Escape (drama by William Wells Brown)

Characters

Dr. Gaines, Proprietor of the farm at Muddy Creek.

Rev. John Pinchen, Clergyman.

Dick Walker, Slave speculator.

Mr. Wildmarsh, Neighbor to Dr. Gaines.

Major Moore, Friend of Dr. Gaines.

Mr. White, Citizen of Massachusetts.

Bill Jennings, Slave speculator.

Jacob Scragg, Overseer to Dr. Gaines.

Mrs. Gaines, Wife of Dr. Gaines.

Mr. and Mrs. Neal and their Daughter, Quakers in Ohio.

Thomas, Mr. Neal's hired man.

Glen, Slave of Mr. Hamilton, brother-in-law of Dr. Gaines.

Melinda, Slave of Dr. Gaines, Mixed Raced.

Sampey, Slave and Son of Dr. Gaines.

Cato, Slave and Assistant of Dr. Gaines.

Sam, Dolly, Susan, and Big Sally, Slaves of Dr. Gaines.

Pete, Ned, and Bill, Slaves.

Officers, Loungers, Barkeeper, etc

 

The Escape; or, A Leap for Freedom is a play written by African American abolitionist William Wells Brown. It was one of the earliest extant pieces of African American dramatic literature. Williams Wells Brown would tour and give readings of his play at Anti-Slavery rallies and political events. The play Escape; or, a Leap for Freedom explores the subject of slavery in the history of the United States and the kind of treatment the society accorded slaves. It unravels a complex religious and racial conflict among the Southerners. The play also substantially focuses on sexual and emotional exploitation of slaves by slave masters in a manner that is not only inhuman, but also antisocial. In so doing, slave masters meticulously planned separation of families of their slaves in a bid to manipulate them. William Wells Brown, having suffered a similar fate, understands too well what it implied to lead slaves’ social lives. The play also dwells on what he terms a leap for freedom when the Northern states took a bold stand against slavery. It was an irony of sorts given that the Northerners were less religious and were expected to be less human as compared to highly religious Southerners. In the play, William Wells Brown describes the use of whips, chains, and beating sticks as the hallmark of suffering in slavery. Any slave who dared to escape from slavery received the most ruthless treatment ever witnessed in the society. In order to get the attention of his audience, William Wells Brown intelligently laced his message with themes that resonated well with the general white population. This did not just make him stand out as a prominent African American antislavery crusader, but also gave his message a lot of impetus.

 

The play follows the story of two slaves from different owners who marry in secrecy. Melinda, who is owned by Dr. Gaines, is a biracial slave who marries Glen, who is owned by Mr. Hamilton. Mrs. Gaines fears that her husband Dr. Gaines has taken a liking to Melinda and orders Dr. Gaines to sell her. Dr. Gaines then hides Melinda in a Cabin on the Property of the Poplar Farm. Dr. Gaines makes a move on Melinda which causes her to tell about her secret marriage with Glen. Dr. Gaines becomes furious and promises Melinda he will kill Glen. Melinda becomes mad and heartbroken when hearing this. Dr. Gaines lies to his wife about selling Melinda. However, Mrs. Gaines does not believe him and one night follows him to the cottage. After Dr. Gaines leaves the cottage, Mrs. Gaines breaks in and tries to force Melinda into drinking poison to kill herself. Melinda escapes and runs into the forest. Meanwhile, across on the Gains Estate, Glen is being tortured by Jacob Scragg. Sampey, another mixed race character who is a slave to his father, informs Glen of what happened to Melinda. Glen manages to escape the dungeon and meets Melinda in the forest. The couple follow the North Star to Canada to escape for freedom. Meanwhile, Dr. Gaines gets a group of men together to hunt down the runaway slaves. There is a last confrontation on the docks of a ferry that is heading to Canada. Mr. White a northern gentleman saves the day by holding up the slave hunters while the ferry takes off.

 

SEXUAL EXPLOITATION

William Wells Brown was born of a slave mother, Elizabeth, who was at the time working for Dr. John Young. His father, supposedly a relative of Dr. Young, was a white man. It goes without mentioning that his birth was a result of sexual exploitation of slaves by slave masters. Slave masters sexually exploited their slaves, but never turned up to claim their children. It shows the degree of moral decadence in the society at the time. According to the religion that Southerners claimed to respect so much, sexual relationships were supposed to be practiced primarily by married couples. The subject also questions the stability of racial lines in as far as sexual relationships are concerned. At one point, race was used to limit their rights and several other activities in America and at other points it seemed meaningless. The subject of sexual exploitation of female slaves appears particularly attractive for William Wells Brown. William’s birth was a result of sexual exploitation of slaves by their masters. Unfortunately, his mixed heritage did not give him any social advantages. The society treated him like any other African American, i.e. a slave without dignity.

In the play, Melinda has to avoid the temptation of falling into her master’s trap for sexual exploitation. Dr. Gaines, her master, offered to find her a separate cottage to keep her as his mistress several times. It is important to note that these sexual advances started when Melinda was only a little girl. Thus, it was not only an affront to her status as a slave, but also an affront to her gender. William Wels Brown mainly intended to rope in the idea of gender in order to give his play more attention from the society. Melinda only represented several ladies who lost their innocence to their slave masters. More importantly, her curse would be her God-given beauty in this case. The author also includes marriage in the story to show how vulnerable female slaves were in the society. Unknown to Dr. Gaines, Melinda and Glen are secretly married. Thus, when Dr. Glen insists on seeking to exploit her sexually, she confronts him with the reality of her marriage. Marriages were to be respected and Melinda expected this revelation to keep Dr. Gaines away from her. It was her last point of defense after several years of exploitation.

Sexual exploitation was one of the severe forms of emotional torture that slave masters exposed their female slaves to. It was planned and executed without their consent and women slaves were expected to keep silent about it. It goes without mentioning that sexual exploitation of female slaves showed a great deal of moral decadence in the American society. The whites did not just lack respect for their slaves, but also for their families. It is the reason why William Wells Brown mocks whites of their deeds that resulted in his birth in his later lectures. Slaves who refused these sexual advances were treated with untold cruelty. According to the play, the Southerners did not match their religious beliefs with concrete actions. While their religious beliefs forbade them from having extra-marital sexual affairs, they willingly seduced female slaves. Besides, these acts of sexual violence were meted against female slaves due to the account of their God-given beauty. Brown sought to portray sexual exploitation of slaves as an outright act of hypocrisy among the Southerners, who were mostly of the Christian faith.

NORTHERNERS AGAINST SLAVERY

In the play, William Wells Brown uses Mr. White to depict the antislavery mood in the North. Unlike in the Southern states, the Northerners mainly condemned slavery and occasionally slammed Southerners for insisting on it. Mr. White had traveled to the South where he talked about slavery in public. As a result, Southerners attacked him and he had to hide and escape back to the North for his safety. This incident showed the heightened tension between the South and the North. This tension threatened to explode into a civil war by every passing day. While the Northerners opposed slavery, they also denied Blacks their fundamental rights and freedoms. It was arguable that they had no moral authority to lecture the Southerners on slavery. In fact, the Southerners interpreted their opposition to slavery as an act of economic sabotage. The Southerners were mainly agriculturalists who depended on manual labor for their farms. Slavery seemed to provide the cheapest source of labor. In turn, Northern states were industrialized and did not entirely rely on manual labor. As a result, Blacks were dangerously caught up in the political tension between the Northerners and the Southerners. The Northern anti-slave crusaders came to the aid of Southern slaves. However, most of it was lip service because they also participated in violation of the rights f Blacks, albeit in a different way.

CONFLICT OF RELIGION AND RACE

Slavery is closely intertwined with the history of the United States right from the American Revolution to the Civil War. The American founding fathers fronted the Revolution to bring liberty to the American soil only to form a nation founded on slavery. Indeed, antislavery crusaders often cited this as a proper justification for cessation of slavery. In their argument, they maintained that Blacks had also contributed immensely in the Revolution in pursuit of liberty. Thus, they needed to be granted freedom by totally abolishing slavery in the United States of America., When drafting the Declaration of Independence, Thomas Jefferson gave slavery a prominent coverage. He listed slavery as one of the social evils that had been forced upon the United States by the British. The American founding father, renowned for his immense contribution to the liberation struggle, was deeply concerned about the moral consequence of America’s reliance on slavery. According to him, the liberation struggle was anchored in the conviction that liberty was a precious gift from God and that those who violated it were bound to face the wrath of God Himself. Again, Brown brought in the “American Dream” as well as America’s religious inclination to condemn the atrocities meted against blacks in slavery.

As slavery became commonplace in the Southern states, it increasingly became a subject of confrontation in the Congress as well as periodicals and articles. It is instructive to note that while most Northerners and indeed Southerners understood Jefferson’s moral argument against slavery, they still supported it either economically or politically. It was characteristic of a nation torn between total human liberty and the system of slavery. Essentially, the Northerners used the fate of Southern slaves to define labor relations in the North. By making sensational claims regarding white slavery, the Northern labor movement made successful arguments in relation to labor relations. In fact, labor movements were born around this time as most whites took up jobs in industries. It was a complex conflict of religion and race between the North and the Southern states. Although Blacks in the antislavery movement used the confusion to advance their agenda, most scholars contend it was a tricky balance. For instance, William Wells Brown was intelligent enough to hide the fact that he was speaking for black slaves in his public lectures across America after his escape. In most cases, he would add gender and religious issues to deflect attention from race and slavery. He understood that gender and religious issues resonated well with the entire American society. At the time, women in America did not have voting rights and finding meaningful employment was a tall order.

SEPARATION OF FAMILIES

Separation of families is another manner in which slave masters intimidated and inflicted emotional torture on slaves. William Wells Brown faced this fate when he attempted to escape with his entire family. As a result, they were chained, severely whipped, and separated as a family. They were individually sold to different slave masters, never to see one another again. According to William Wells Brown, this was the ultimate punishment for daring to escape from slavery. However, William found opportunity to escape and fled to the North where he adopted a more meaningful career of lecturing. The same fate befalls Melinda and Glen in their new-found love. Although the two are in love, their slave master would not allow them to marry. Instead, all barriers are erected on their way of being together in order intentionally to discourage them. After all, their being together is a major hindrance to Dr. Gaines’ lusty relationship with Melinda. Essentially, separation of families was used intentionally to manipulate slaves and prevent them from fronting a joint action plan against slavery. Slave marriages survived on the whims of their slave masters. A slave master could decide to end them any time through the sale one from a slave couple. It is a tool that slave masters used quite ruthlessly to manipulate and humiliate their slaves. Instructively, Christianity advocates for sanctity of the family and emphasizes on non-interference with what God has put together. Thus, Brown sought to make a religious appeal to make his point.